Three French avant-garde art and design masters show in London
French avant-garde art and design master Jean Dubuffet, Simon Hantaï and Charlotte Perriand's joint exhibition "Freeform" (Freeform) will be in 2018 2 On the 2nd of the month, he appeared at Timothy Taylor in London. The creations of three masters of art and design cover painting, sculpture, furniture and cross-media exploration, and a dialogue between formal structure and organic form. The exhibition will last until March 29, 2018.  Charlotte Brian (1903-1999), deeply influenced by egalitarian and populist ideas, believes that design can have a positive impact on people's daily lives and even on the social level. In his school days, Brian refused to echo the popular "cloth art" style at the time. At the age of 24, he joined the architect Le Corbusier and began to pursue modernism with both spiritual and material values. art.  After joining the Le Corbusier studio, Brian gradually created her "free form" furniture, setting a new and powerful design method. Inspired by the shape of the objects in nature, Brian designed a style of furniture that is loyal to functionality, maintains the authenticity of the raw materials, and conforms to the human body.   Charlotte Perriand, Pine tree dining table, Pinetree, Table: 28 3/4 x 78 x 331/2 in / 72.5 x 198 x 85 cm, Extension: 28 3/4 x 39 x 33 1/2 in / 72.5 x 99 x 85 cm ©Marie Clérin / Laffanour Galerie Downtown Paris  Brian's first "free form" table was completed in 1954 and was tailored for her small studio in the Montparnasse district of Paris. Brian's biographer Jacques Barsac once explained: "The free form itself presents a poetic functionalism, each of which is faithful to its own use and production, while maintaining Freedom of structure."  Unlike Brian's conscious thinking about design and the surrounding environment, the work of Jean Dubuffe (1901-1985), an art master known for creating “native artâ€, is more like being driven by a productive unconscious. The Dubuffet work on display was closely related to his work series "Hourloupe" created between 1962 and 1974. Dubuffet's automatic exploration, originally drawn on paper, outlines a variety of "cells", each of which is an independent individual and part of a larger structure.   Jean Dubuffet, Amoncellement à la Corne, 1968, Vinyl paint on epoxy resin, 22 x 23 1/2 x 18 3/4 in. / 55.8 x 59.6 x 47.7 cm ©Jean Dubuffet. Courtesy Private Swiss Collection.  With the development of the "Ullupu" series, simple graphics have become more and more solid shapes, and then developed into a large number of polystyrene sculptures, polystyrene material is Dubufei's favorite because it can make "Light scatters hierarchically." Dubuffy explains why he wants to give "the unrestricted graphics a commemorative dimension that jumps off the paper surface that is usually supported." From the transition from paperwork to three-dimensional space, Dubuffy attempts to activate a response to rationality, that is, the audience is not only standing in front of the image but also inside the image, surrounded by the power of fantasy and reality. Such sculptures are noisy with the concept of nature and man. The clean colors and linear contours preserve the connection to the graphic outline, while the objects at your fingertips present a synthetic beauty between the natural landscape and the building.  A defining feature of the "Ullupu" series is the display of convictions of continuity between objects, spaces and characters. Just as Simon Hantai's painting "Meun" is made using the "pliage" technique created by the artist himself, it presents a bold, amorphous random image.  Simon Hantai (1922-2008) was a very important but not fully recognized master in the field of post-war European abstract art. In 1960, Simon Hantai first created the folding technique, which folded the canvas and then dipped it with pigment. When the canvas was unfolded, and the painting was first revealed, the normal and inverted spaces were created by random dip dyeing. Han Tai once explained how he tied the "four corners of the canvas, made a big knot, and tightened it with a rope in the middle of the coarse cloth bag." Different from the original folding method, this work "Moen" has no center point and axis of symmetry; the form is free, the interpretation is open, and the bold image implies the character image also carries the painting spontaneously. The concept of sex arises.   Simon Hantaï , Meun, 1968 , Oil on canvas , 89 x 73 5/8 in. / 226 x 187 cm © Archives Simon Hantaï. Courtesy Timothy Taylor, London. Photo: Damian Griffiths.  "Moen" painting is the work that Hantai evacuated from the Paris art circle and gave up painting, and after a year of silence. In 1966, he moved to Moen, a small village in the Fontainebleau forest. The new energy brought by the new environment interrupted the silence, the fresh studio, the superior lighting, and injected new ideas for his development of the folding method. energy. As Han Tai explained: “Folding comes from nothingness. It’s just that you have to put yourself in a position where you have never seen anything; put yourself in the canvas. You can fill it without knowing the margin of the canvas. You don't know when it will stop."  Charlotte Perriand  Charlotte Brian (1903-1999) is recognized as one of the most influential designers and architects of the early days of modern cultural pioneering. In the 1920s and 1930s, the steel, aluminum and glass furniture she created at the Le Corbusier studio declared the beauty of the “machine age†to be introduced into the interior design field. Later, Brian continued to experiment with new materials and create popular furniture that balances practicality with aesthetics. Bellian's representative works include the chair LC2 Grand Comfort and the bench B306. Her work has been exhibited at the London Design Museum and the Paris Museum of Decorative Arts.  Simon Hantaï  Simon Hantai (1922-2008) was born in the Biabian region near Budapest. He moved to France in 1948 and worked and lived in France until his death in 2008. Hantai spent a successful life in France. During his peak in the artist's career, he represented France in the 1982 Venice Biennale. In 2013, the Centre Pompidou in Paris hosted a retrospective exhibition to present his outstanding artistic contributions to a new audience. In 2014, his retrospectives were exhibited throughout Europe, including the Ludwig Museum in Budapest and the Villa Medici in Rome. From the Museum of Modern Art in Paris, the Centre Pompidou, to the Museum of Modern Art in New York, to the Herschhorn Museum and Sculpture Garden in Washington, Hantai's works are often exhibited at international public or private exhibitions.  Jean Dubuffet  Jean Dubuffet (1901-1985) is known for creating “native art.†Native art refers to art that originates outside the boundaries of the college art. Dubuffet supports ongoing torture of the state of art, culture, and society. Throughout his life, Dubuffet is challenging established rules and customs, and for this reason his work is powerful and far-reaching. In Dubuffet's life, his retrospective was at the Museum of Modern Art in New York (1962); the Tate Gallery in London (1966); the Amsterdam City Museum (1966); and the Guggenheim Museum in New York (1973, 1981). It is held in 12 museums. Dubuffet's work is collected in more than 50 museums around the world.  About Taylor Gallery  For 20 years, Timothy Taylor has followed the attention of post-war European abstract art and has included generations of artists in a multi-faceted art landscape. The gallery currently represents the late international famous Antoni Tà pies, Hans Hartung, Simon Hantaï, Serge Poliakoff and so on. The artist's legacy; its historical lineage is through Sean Scully, Alex Katz, Kiki Smith, Josephine Meekspo ( Josephine Meckseper), Eduardo Terrazas, Ding Yi, Eddie Martinez, Armen Eloyan, Shezad Dawood, etc. Contemporary artists can continue.  On September 23, 2016, Taylor Gallery also established a new gallery “16x34†in New York, echoing the London headquarters. Named after its space, “Taylor 16 x 34†occupies the ground floor of a single-family building in the heart of Chelsea's Art District. It will summarize and highlight the 20-year history of Taylor Gallery and hold a joint or solo exhibition for new and old artists. . Want to know more about copper carving prices, copper carving wholesale, bronze sculpture joining, copper carving procurement related information, can visit http://tongdiao.99114.com/
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